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Each paragraph contains about three to six sentences. Each of these battles requires some minor element of strategy but is relatively brief. For the most part, though, the novel focuses on the three main characters running around and hitting things with swords and spells. Within this family drama, characters change and grow and are faced with problems that have no obvious solutions. One of the most engaging parts of Witches’ Forest is Agnis’s backstory, which involves a heartbroken yet politically ambitious stepmother who sinks to Cersei Lannister depths of dastardly scheming. The only thing the party doesn’t have is a bag of holding, as they’re constantly lugging their adventure gear around with them and getting into petty arguments over who has to carry what. The trio is accompanied by a flying baby dragon/fire lizard that can talk and use low-level healing spells and is somehow fuzzy despite being reptilian.
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They are equipped with a full arsenal of Zelda items, from the port-o-lant (which “uses low-cost solid fuel made of Zora oil”) to the coily coily rope (“the definitive version of the hooked rope”), and Agnis in particular has to worry about running out of MP (“magic points,” or magical energy). Their Adventurer Cards keep track of their experience points, and, when they earn enough, they gain a level. The characters randomly encounter monsters drawn directly from D&D dungeon master guides, and they earn experience points when they defeat these monsters. Agnis is the perky refugee, Olba is the jaded older guy, and Duan is just about every main player-protagonist to ever appear in a JRPG. The adventures of the trio are solidly structured upon a foundation of RPG tropes and gameplay mechanics. Before they can reach the witches, however, they must brave the dangers of the surrounding forest and the traps set up in and around the house itself. Olba wants treasure, and Agnis wants revenge. Both of these characters are trying to get to the mansion at the heart of the forest, wherein two witches are said to dwell. Link, a sixteen-year-old sorcerer with a penchant for fire magic who may or may not be a princess in disguise. This is where we find our hero at the beginning of Witches’ Forest, but Duan soon stumbles upon two traveling companions: Olba October, a battle-hardened veteran adventurer in his twenties, and Agnis R. He straps on a sword and rushes into a nearby forest with a vague plan of rescue in mind, but the forest is enchanted, and Duan soon finds himself hungry, lost, and in dire peril. After spending a year as a cook’s assistant, Duan returns to camp after spending the day gathering ingredients only to find his entire battalion vanished into thin air, leaving only empty tents and smoldering fires behind. Duan fails the physical portion of the initial test of the Adventurer’s Club guild, but the army will take anyone, so off to the army he goes. Gaeley is everything to Duan, so the young Duan decides to become a fighter like his brother. The young Duan makes up for his lack of physical strength with an inquisitive mind and, by the time he is fourteen, Gaeley is confident enough in Duan’s ability to make it in the world that he himself decides to leave the town in order to become a soldier.
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He was raised in a small town by his brother Gaeley, a hale young man who took on various odd jobs to order to be able to provide medicine and care for the sickly Duan.
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Before I explain why, allow me to give a brief plot summary.ĭuan Surk is an orphan in a world plagued not only by vicious man-eating monsters but also by war. Nonetheless, I think Witches’ Forest is an interesting and important book, especially in translation. Witches’ Forest is a light novel, and it reads like a light novel: shallow, superficial, and disposable by design. There is no depth to the story, the characters, or the writing. It’s a mess of tropes and clichés liberally borrowed from the early Zelda and Final Fantasy games written in a style aimed at the lowest common denominator. Publication Year: 2006 (America) 1996 (Japan) Title: The Adventures of Duan Surk: Witches’ Forest